Vol. 5 No. 1 (2026): Matriculture chez les peuples circumpolaires
Articles de recherche

Perles matriarcales: La résistance, la résurgence et la réappropriation des perles traditionnelles autochtones

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  • Tammy Wolfe
Tammy Wolfe
University of Manitoba
Des femmes sont assises autour d'une table ronde, en train de perler ; on voit leurs mains à l'œuvre. La femme la plus proche de la caméra enfile des perles orange, rouges et jaunes sur un morceau de tissu rouge.

Publié 2026-05-27

Mots-clés

  • matriarcat,
  • travail de perles (perlage),
  • Autochtone,
  • colonisation,
  • décolonisation

© Tammy Wolfe (Author) 2026

Licence Creative Commons

Cette œuvre est sous licence Creative Commons Attribution - Pas d'Utilisation Commerciale - Pas de Modification 4.0 International.

Comment citer

Perles matriarcales: La résistance, la résurgence et la réappropriation des perles traditionnelles autochtones. (2026). Matrix: Une Revue d’études Matriculturelles, 5(1), 95-114. https://doi.org/10.60676/et8hmk71

Résumé

Le perlage, le tissage et la couture sont des traditions culturelles autochtones pratiquées par de nombreuse nations à travers le continent nord-américain depuis des temps immémoriaux; en fin de compte, ces pratiques véhiculent d'importants savoirs et systèmes de croyances autochtones. L'impact de la colonisation sur les femmes autochtones à travers le continent a limité et réduit la fonction de leurs rôles matriarcaux au sein de leurs communautés. Pour leur part, les femmes se sont adaptées, ont évolué et ont acquis un sens plus fort de la culture et de l'identité grâce à leurs pratiques artistiques traditionnelles de travail des perles, ce qui a contribué à la transmission du savoir, de la culture et de l'identité. Les matriarches autochtones ont utilisé la récupération et la résurgence des pratiques traditionnelles du travail des perles comme forme de résistance et de décolonisation. Cet article cherche à explorer, comprendre et interpréter ces enjeux du point de vue d'une Première Nation Ininiw Iskwew (femme moskégonne), puisque l'auteure est une fière matriarche issue de la communauté de la Nation Crie Norway House.

 

Légende de l'image : L'autrice et ses amies font du perlage. © Calvin Cyr, 2026.

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